The
Catalyst
Writers
are often asked why they write. The simple, short answer? We must. We’re
compelled to. You write, or you don’t—simple as that.
The
harder question is where do you get story ideas? How about a formula? External/internal catalyst = emotion = need
to express = words on paper/screen. It takes few words to express that
emotion. But wait! Nothing happens in a vacuum. How did we get there? What’s
the lead up? When did it happen? What’s the aftermath? What is the
who-what-when-where using all the tactile and olfactory senses without using
purple prose call to action? Ah, the book.
Everyone
is different. Ideas come from eclectic places and various ways, often from
something you see in everyday life, or a book you’ve read. Or, music. Need to
write a sad scene? Listen to Samuel Barber’s Adagio for Strings. I think it’s
been used as background music in about every war movie since. Think Platoon.
So,
something speaks to you and gets your motor running. A catalyst. I have a
favorite book that I wanted my children and grandchildren to read. More for the boys than the girls, but there is a strong female lead too.
“Here. Right here. This is the person I want
you to be.” It’s about a fictional Sir Robert Fairfield who fought at the right
hand of his king at the Battle of Agincourt.
Kids and grandkids? Nah. Flipped it
away. Doesn’t speak to them.
What they don’t realize is the theme in WALK WITH
PERIL by D.V.S Jackson is present in every book they’ve read. Go figure.
Many
writers know what they want to do, plan out the complete novel or story in
outline form and never vary from the script. I envy those folks. They churn out
books by the dozens. That has never worked for me. I’m what is called in the
writer world as a Pantster, or someone who writes by the seat of their pants.
The few times I’ve tried to outline, the story went off the rails as the
characters took over. Then my outline resembled someone trying to herd cats.
So,
ideas? If you write, you must read. I read a lot of unknowns. Longer works by
James Lee Burke and Craig Johnson have been great. Of course, everyone who
writes westerns have read Louis L’Amour and Dusty Richards to name a few. There are too many to name and I’ve been reading a long, long… long time.
I
keep a Word file full of quotes and sayings that mean something to me. These
aren’t used verbatim unless I can credit the writer. I look at them for
inspiration and it’s the idea behind the quote that drives my own take on
things. A good quote will drive your imagination in a lot of different
directions.
For
example, I needed to write a companion piece to my near-future novel THE
SHEPHERD. The protagonist and his lady in THE SHEPHERD were both highly skilled
individuals so when the world went to pot they had a good chance of
survival—and still almost didn’t make it.
CHRYSALIS is the flip-side of that
coin. This story is about a computer nerd and his family—same scenario,
same city—how did they survive? Well....
The
attitude and driving force for CHRYSALIS was Johnny Cash’s rendition of Hurt.
Give it a listen and try to get THAT out of your head the rest of the day. I
should insert a smiley face here—kind of a sinister, grim looking smiley face. Maybe
a clown. My kids argue for the rendition by Nine Inch Nails. I have my own
opinion. Thank you very much.
Another
example is my novella RESCUE TRAIL. There’s a situation where the marshal
is trying to avoid trouble, trying to back away. His method was shades of James
Lee Burke. Every story Mr. Burke writes is a lesson for any aspiring writer. If
you read RESCUE TRAIL, see if you can find it.
I
saw a book cover of a cowboy kneeling in front of a cross and HALLOWED GROUND
came from that. Plus the question of how do you write about a serial killer
before the term was coined?
Crazy
as it seems, sometimes that’s all it takes.
You
can keep your own list just for fun. Maybe you already do.
“War is only interesting to someone
who’s never been.” Yup. Been there, done that, burned the
tee shirt.
“You’re a sophistic pretzel.” Okay,
I’m not sure I’ve ever figured that one out. Still trying.
“The road he was stepping on had an
end of hazy uncertainty.” We’ve all been there.
Someone
was kind enough to put a list of Shakespearean insults on Facebook. Oh, I loved
that. I’d like to use at least one in every future writing.
—She
stepped close as the cool night drew down and the wind whipped dust in the street.
Thunder rumbled in the distance and the scent of rain… and her… shook him as
his arms pulled her in. Moments before his life had been his own. He could risk
it or throw it away. Now someone lay claim to it and made it precious. —That’s
just me and it’s in a future story.
See?
I’ve gone off the rails again.
Have
a blessed day in whatever gets your motor running.
Darrel Sparkman