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Monday, June 26, 2017


Hi. I'm ANDREW McBRIDE. I’ve been fortunate enough to receive wide acclaim already for my Sundown Press novel THE PEACEMAKER, including 5 star reviews from 2 of the most successful western authors in the business. Spur award-winning and Pulitzer Prize-nominated author ROBERT VAUGHAN describes it as ‘a great book’. Meanwhile RALPH COTTON (also a Pulitzer-prize nominated novelist) writes: ‘For pure writing style, McBride’s gritty prose nails the time and place of his story with bold authority. …this relatively new author has thoroughly, and rightly so, claimed his place among the top Old West storytellers.’ I’m very grateful to both Robert & Ralph for their fantastic support.

I was recently interviewed about THE PEACEMAKER on the writing forum PARAGRAPH PLANET, run by RICHARD HEARN. You can visit PARAGRAPH PLANET here:

Meanwhile here’s the interview again:

Tell me about your latest novel 'THE PEACEMAKER.' 
It’s a western. To a lot of people under the age of 40 the idea of reading, writing or even watching a western is bizarre, but for people over that age, westerns were a huge part of their cultural landscape. If you grew up like me in England in the 60s into the middle 70s you were deluged with westerns – movies constantly on TV and a steady diet of TV Westerns like The Virginian, Bonanza & The High Chaparral. Any ordinary citizen in Britain c. 1970 was generally quite clued in about the history of the ‘Wild West’, most of it taken in from TV and movies, although writers like Louis L’Amour and J.T. Edson were quite popular. Then, almost overnight, the western reached saturation point and practically vanished - John Wayne’s last movie was in 1976, in 1977 Star War’s stepped in to fill the void and westerns stopped being made, apart from the occasional revival like Clint Eastwood’s ‘Unforgiven.’ Whilst I don’t think the western will ever entirely die, I can’t imagine it will ever again have the cultural dominance it had in the 40s, 50s and 60s. But I was raised on westerns, I still love them so I still write ’em!

THE PEACEMAKER is set in the Arizona desert in 1871. At its core is an interracial love affair – the young white hero finds himself in love with an Apache Indian girl whilst their 2 peoples are at war. They end up in danger from both Apaches and white men, whilst also struggling to survive the desert itself. It also brings in historical elements. The peace they’re trying to make is with the great Apache chief Cochise. It was fun trying to fit a real historical person (although much about Cochise is fairly mysterious) into a fiction narrative.    

What are your inspirations? 
I read avidly as a kid – but whereas others liked home-based/ school-based stories I liked adventure stories set in exotic locations and legends like Robin Hood and King Arthur. I particularly liked the historical novelist Rosemary Sutcliff.

Rosemary Sutcliff
I knew if I started writing it would be adventure stories – the bigger and more epic the better. Getting into adolescence I read Ian Fleming, Hemingway, Raymond Chandler. Then I discovered western writers who could somehow humanise their stories, make them realistic and avoid clich├ęs – e.g. an Englishman, John Prebble in THE BUFFALO SOLDIERS, A.B. Guthrie Jr. in THE BIG SKY, Elmore Leonard in HOMBRE.

Elmore Leonard

In relation to westerns I’ve also been hugely influenced by movies and TV westerns, particularly movies starring John Wayne and/or directed by John Ford. That inspired me to read western history. I was particularly moved by accounts (such as ‘BURY MY HEART AT WOUNDED KNEE’) of the tragic near-destruction of the American Indians in this period, aspects of which are covered in THE PEACEMAKER.  

What's your favourite part of the writing process? 
Editing. I tend to write a chapter at a time and it’s a 3 day process. Day 1 is my least favourite – it’s the grind of the first draft, which I find is the hardest part. You tell the tale of the chapter, you cover the story points, but it’s a slog and the writing may not be that good. But on Day 2 you wake up and re-draft it into shape, which in my case is almost all cutting. I may re-write or re-arrange bits but mostly all I do is cut – like pruning a hedge, or clearing the weeds out of the garden so you can see what you’re after. Day 3 is usually easy – polishing, just doing a bit of tweaking and tidying up. Then I sit back for a few days and let the next chapter simmer in my head until it’s ready to be tackled.

How important is setting in your books?
Enormously. I haven’t just written westerns, I’ve also written thrillers and historical novels, but they all seem to end up being set in big, wild landscapes. A common theme of mine seems to be a man and a woman being tested against a wilderness. The landscape itself becomes a character, shaping the behaviour of the characters. Westerns cover an extremely wide range of settings – there’s movies like ‘High Noon’ that are entirely based in a town – but my taste runs to outdoor ones, the more primitive the better. My favourite TV Western series was ‘The High Chaparral’ because it was filmed on location in the Southern Arizona desert, which is the setting of THE PEACEMAKER. Similarly John Ford’s best westerns used majestic locations like Monument Valley.

In landscapes like that you find beauty, poetry, harshness and drama, which are elements I hope feed into PEACEMAKER. It also creates authenticity and realism.

Any tips for aspiring writers? 

I’ve taught creative writing and picked up some good tips along the way. One is ‘don’t get it right, get it written.’ Don’t sit there agonising, waiting for the world’s greatest sentence to occur to you before you write. WRITE SOMETHING ANYWAY. Produce words, even if they aren’t great. You can always shape, change, expand on words written. You can’t do anything with a blank page. Novelists, particularly, need to have a time/ word count discipline. Give yourself a DEADLINE: for example you may decide you want to write an 80,000 word novel in 2 years. That works out about 110 words a day. Make sure you keep to your routine and write those words, otherwise you’ll join the ranks of would-be novelists who spend 7, 9 or 11 years writing a novel. And another tip is persist, KEEP TRYING. There’s a saying: ‘What do you call a writer who never gives up?’ Answer: ‘Published!’

What's your next project? Any clues? 
I’m lucky, I’m a story-teller, I don’t write just out of my direct experience (as Harper Lee did for example) but I’m happy to have a go at yarns set in any place or era. (Not that I’m comparing myself with Harper Lee!) I’m finishing up a novel about Robin Hood and I’ve got ideas for at least 2 more westerns, a thriller and at least half a dozen historical novels. Whether any or all of them get written is another matter!

Harper Lee

Eighteen-year-old scout Calvin 'Choctaw' Taylor believes he can handle whatever life throws his way. He’s been on his own for several years, and he only wants to make his mark in the world. When he is asked to guide peace emissary Sean Brennan and his adopted Apache daughter, Nahlin, into a Chiricahua Apache stronghold, he agrees—but then has second thoughts. He’s heard plenty about the many ways the Apache can kill a man. But Mr. Brennan sways him, and they begin the long journey to find Cochise—and to try to forge a peace and an end to the Indian Wars that have raged for so long. During the journey, Choctaw begins to understand that there are some things about himself he doesn’t like—but he’s not sure what to do about it. Falling in love with Nahlin is something he never expected—and finds hard to live with. The death and violence, love for Nahlin and respect for both Cochise and Mr. Brennan, have a gradual effect on Choctaw that change him. But is that change for the better? Can he live with the things he’s done to survive in the name of peace?
Buy it on Amazon — or read free with Kindle Unlimited — here:

Apaches 1886 Geronimo extreme right
Choctaw blinked sweat and sunspots out of his eyes and began to lower the field glasses; then he glimpsed movement.

He used the glasses again, scanning nearer ground, the white sands. He saw nothing.

And then two black specks were there suddenly, framed against the dazzling white. They might have dropped from the sky.

They grew bigger. Two horsebackers coming this way, walking their mounts. As he watched they spurted into rapid movement, whipping their ponies into a hard run towards him.

The specks swelled to the size of horses and men. Men in faded smocks maybe once of bright colour, their long hair bound by rags at the temple. They had rifles in their hands.

Breath caught in Choctaw’s throat. Fear made him dizzy. His arms started to tremble. He knew who was coming at him so fast.


And you killed them or they killed you.


Or my Amazon author pages on: